Cause we are living in a “selfie-style” kind of world

It’s official – we are living in a “selfie-style” kind of world. Well, this much is true, according to a new survey, for the United States, United Kingdom and China. The study shows that immediate, engaging and socially driven content are fundamental criteria to today’s entertainment experience.

Edelman yesterday, June 12, released the results from its eighth annual study on how and why people consume and share entertainment. The study’s findings for the US, UK and China highlight consumers’ expectations for unprecedented control over their entertainment experience.

“This year, we found that consumers want their entertainment ‘selfie-style’ – content centered on them, immediately gratifying, engaging and shareable across their social networks,” said Gail Becker, president, strategic partnerships and global integrations, Edelman.

He added: “Brands that can successfully deliver or enhance compelling entertainment to consumers stand to gain through positive word-of-mouth and association.”

Immediate Gratification – Binge-watching Continues to Escalate?
With skyrocketing access to online and on-demand content, binge-watching television shows is pervasive across respondents in all markets surveyed (US: 94%; UK: 89%; China: 99%). The%age of US consumers who binge-watch has increased significantly in the past year (up from 86% in 2013), bringing them closer to China’s almost universal prevalence.
Interestingly, the desire to satisfy people’s internal needs are the primary drivers for binge-watching, with 72% of respondents watching so they “know what happens next” and 57% noting that they do so to “feel caught up.” Avoiding “hearing about entertainment content before getting to watch it” also motivates consumers to binge-watch (24%), though it is less so.

Multi-screen Moments

The study shows that respondents in all markets multi-task while watching entertainment. Of those who do, more than 80% of Chinese and 60% of US and UK respondents are likely to use multiple devices to do something related to the content they are watching. The desire for engagement leaves an opportunity for brands to fill the void with content. This is highlighted in the findings that show half of respondents are likely to use an app or website to interact with the content if it was designed by the creator (US: 56%; UK: 46%; China: 81%) or not designed by the creator (US: 52%; UK: 44%; China: 71%).

“Multi-screen behaviors are not new, but it is interesting that consumers are far more willing to engage with an app or some form of entertaining content regardless of who created it,” said Jon Hargreaves, managing director, Technology, Europe & CIS, Edelman. “Discussions, analysis, content creation and other forms of sharing used to be relegated to superfans. Today, it’s ubiquitous.”

Multi-screen usage is most prominent for moments usually seen as “live” events; such as sports (US: 47%; UK: 39%; China: 41%), entertainment events (US: 41%; UK: 32%; China: 49%) and national crisis (US: 36%; UK: 33%; China: 39%).

Sharing Entertainment Experiences Vital 

Across all markets, respondents are as likely to share information about entertainment content (US: 68%; UK: 58%; China: 92%) as they are to share about their friends (US: 70%; UK: 59%; China: 89%).

This year’s study also shows that consumers share entertainment content primarily to express opinions (US and UK: 56%; China: 63%) and express excitement about things in their lives (US: 46%; UK: 4%; China: 75%). US and UK consumers are five times more likely than those in China to share in an effort to warn others not to waste time or money on content that is not entertaining (US: 22%; UK: 21%; China: 4%).

Exciting Content Captures Consumers and Produces Social Media Benefits 

More than half of US consumers surveyed have recommended good or engaging entertainment content to a friend or colleague (53%), one-third have shared that entertainment with their networks (33%) and 41% have paid attention to future content as a result of their experience. Respondents have also purchased products or services from companies that produced good content (37%).

Notably, US respondents consider recommendations from brands (53%) to be as important as positive reviews from professional critics (52%) for their spending decisions.

In contrast, “boring” content does not instigate as much action, with only a third of US consumers studied saying they have criticized companies that produce bad content (34%). More than a quarter has refused to buy the company’s product or service (26%) or have ignored future content (27%).
“We are seeing that consumers want to engage more than ever with entertainment content regardless of the source and are less likely to negatively impact poor content than they are to positively impact compelling content. This gives brands the license to explore how they can participate in creative ways,” concluded Becker.

The study also found that 79% of respondents say they consider YouTube to be a valuable source of entertainment; in the US and the UK, people are more likely to use other devices when watching entertainment alone (US: 44%; UK: 40%) than they are to avoid using multiple devices when watching with others (US: 33%; UK: 34%); and TV shows are the number one most turned to source for entertainment in all markets.